~ CUT-UPS SELF-EXPLAINED ~
by Brion Gysin
Writing is fifty years behind painting. I propose to apply
the painters' techniques to writing; things as simple and
immediate as collage or montage. Cut right through the pages
of any book or newsprint... lengthwise, for example, and shuffle
the columns of text. Put them together at hazard and read the
newly constituted message. Do it for yourself. Use any system
which suggests itself to you. Take your own words or the words
said to be "the very own words" of anyone else living or dead.
You'll soon see that words don't belong to anyone. Words have
a vitality of their own and you or anybody can make them gush
into action.
The permutated poems set the words spinning off on their
own; echoing out as the words of a potent phrase are permutat-
ed into an expanding ripple of meanings which they did not seem
to be capable of when they were struck and then stuck into that
phrase.
The poets are supposed to liberate the words - not to chain
them in phrases. Who told poets they were supposed to think?
Poets are meant to sing and to make words sing. Poets have
no words "of their very own." Writers don't own their words.
Since when do words belong to anybody. "Your very own words,"
indeed! And who are you?
CUT THE TEXT INTO THREE COLUMNS:
A: B: C:
Writing is fifty y ears behind painting. I propose to apply
the painters' techniq ues to writing; thingX as simple and
immediate as collage or montage. Cut righX through the pages
of any book or newspr int... lengthwise, foX example, and shuffle
the columns of text. Put them together at hazard and read the
newly constituted mes sage. Do it for yourX elf. Use any system
which suggests itself to you. Take your oX n words or the words
said to be "the very own words: of anyone X lse living or dead.
You'll soon see that words don't belong to anyone. Words have
a vitality of their o wn and you or anbody can make them gush
into action.
The permutated po ems set the words spiX ning off on their
own; echoing out as X he words of a potent X hrase are permutat-
ed into an expanding ripple of meanings whX ch they did not seem
to be capable of wheX they were struck and then stuck into that
phrase.
The poets are suX posed to liberate the words - not to chain
them in phrases. WhX told poets they were supposed to think?
Poets are meant to sX ng and to make words X ing. Poets have
no words "of their X ery own." Writers doX 't own their words.
Since when do words X elong to anybody. "Yo ur very own words,"
indeed! And who arX you?
(The letters struck out were those sliced by my scissors. Now, permutate the
columns to form the message.)
Now I shall read across in the normal way
the text ACB, and it says:
Text ACB:
Writing is fifty. I propose to apply ears behing pain-
ting. The painters' techniques as simple and use to wri-
ting; things immediate as collage through the pages or
montage. Cut right of any book or newspr example, and
shuffle into ... lengthwise, for the columns of text. Ha-
zard and read them. Put them together are newly consti-
tuted meself. Use any system sage. Do it for yours which
suggests itself, own words or the words to you. Take
your own, said to be ,,the very else living or dead own
words of anyone. " You'll soon see that anyone. Words
have words don't belong to a vitality of their o can make
them gush on and you or anybody into action.
The permutated punning off on their ems set the
words spin own; echoing out as phrase are permutate he
words of a potent ped into an expanding which they did
not seem; ripple of meanings which to be capable of
when then stuck into that they were struck and phrase.
The poets are suwords - not to chain posed to liberate
the them in phrases. Who supposed to think? Told poets
they were Poets are meant to sing. Poets have ng and to
make words snow words ,,of their wit own their words
very own. "Writers don. Since when do words ,,ur very
own words, " belong to anybody. ,,Yo indeed! And who
are you?
Text BAC:
Writing is fifty y
ears behind painting. the painters' techniq I propose to
apply ues to writing; things immediate as collages as
simple and or montage. Cut right of any book or news-
prt through the pages int ... lengthwise, for the columns
of text. example, and shuffle Put them together at newly
constituted meshazard and read the sage. Do it for yours
which suggests itself elf. Use any system to you. Take
your o said to be ,,the very n words or the words own
words" of anyone You'll soon see that else living or
dead. words don't belong to vitality of their o anyone.
Words have wn and you or anybody into action. can
make them gush
The permutated po
ems set the words spin own; echoing out as thing off on
their he words of a potent ped into an expanding phrase
are permutatripple of meanings whito be capable of
whench they did not weem they were struck and phrase.
then stuck into that
The poets are sup
posed to liberate the them in phrases. Who words - not
to chain o told poets they were Poets are meant to si
supposed to think? ng and to make words snow words
of their ving. Poets have ery own." Writers don Since
when to words ('t) own their words. belong to anybody.
Yo indeed! And who are ur very own words, "you?
Text A + CB:
Writing is fifty the painters' technique, immediate as
collage of any book or newspr the columns of text. New
ly constituted mess which suggests itself said to be the
very. You'll soon see that a vitality of their into action.
The permutaed poem, echoing out as ted into an ex-
panding to be capable of when phrase.
The poets are sue them in phrases. Poets are meant to
sigh now words of their. Since when do words indeed!
And who are I propose to apply ears behind painting., as
simple as use to writing; things through the pages or
montage. Cut right example and shuffle into lengthwise
for hazard and read the put them together ourself. Use
any system sage. Do it for your words or the words to
you. Take your own else living or dead; own words of
anyone, anyone. Words have words don't belong to one
and you or anybody can make them gush.
Set the words spin phrase are permutate. The words
of a potent they did not seem, ripple of meanings then
stuck into that they were struck. And words not to
chain. Posed to liberate the supposed to think? Told
poets they were Poets to make words own their words.
Very own. Writer's ,, very own words" belong to any-
body. You and you.
Text B + CA:
Ears behind painting; use to writing; things or mon-
tage. Cut right into ... lengthwise. Put them together are
sage. Do it for yours to you. Take your own words of
anyone. Words don't belong to own and you or anybody
aims to set the words spin. The words of a potent ripple
of meanings whin they were struck and posed to libe-
rate.
The O told poets they were NG and to make words
,,very own." Writers don't belong to anybody. You,
you?
Writing is fifty. I propose to apply the painter's tech-
niques as simple and immediate as ,,collage" through the
pages of any book or newspr example, and shuffle the
columns of text. Hazard and read the newly constituted
mesself. Use any system which suggest itself in words or
the words said to be ,,the very else living or dead. You'll
soon see that anyone. Words have a vitality of their o
can make them gush into action.
The permutated poems running off on their own;
echoing out as the phrases are permutated into an expan-
ding which they did not seem capable of when then
stuck into that phrase.
The poets are sup words - not to chain them in phra-
ses. Who supposed to think? Poets are meant to si ing.
Poets have now words of their own words. Since when
do words your very own words, indeed! And who are
you?
"We are making tentative steps to separate thee lies ov illusion from a more
tenable reality. William Burroughs and Brion Gysin showed us a way with
thee idea ov "cut-ups". They saw words as being powerful tools, both ov
opression and liberation. By changing thee sequence ov words they allow
thee intuitive faculty ov the reader to coum into play, and thee underlying
meanings ov written statements, in a paradoxical way, are revealed to us."
(ToPy On-line Transmission I)
"Words have a vitality all their own, and you or anybody can make them
gush into action." (Third Mind, pg.34)
"I am sure at least , that for many a young man his first discovery of the fact
that words are living powers, are the vesture, yea, even the body, which
thoughts weave for themselves, has been like the dropping of scales from his
eyes, like the acquiring of another sense, or the introduction into a new
world he is never able to cease wondering at..." (The Study of Words, pg.2)
The interweaving levels ov thought that can be created using thee Cut-uP
method are many and various...take a book and cut up thee words...take any
material whatsoever...a letter, typed text...anything can be used...create a
computer program to Cut-uP words for you...or just do it manually...the key
being to experiment and create...Thee Cut-uP method creates new structures
or levels ov thought that show and give meaning, insight...it can be used as a
magickal tool...
"In a universe of seeming order manifesting out of chaos, cut-ups are an
ideal divinatory model. From randomly rearranging cut-up slips of text, the
subconscious mind can speak directly through the results. Performed in the
proper context, the act of cutting-up can effectivly "make a hole in time": It
was written in the past, cut and rearranged in the present, and speaks in the
future (or no time frame at all).
The methods are many: type all you know about a subject that you have
limited knowledge of and cut. You might gain a new insight. Combine texts
pertaining to different facets of your life and see what it says to you. Take a
book and photocopy the pages that have a numerological significance to you
and have at it. Do it Qabbalisticly, by Gematria, Astrologically, or illogically..."
(The Divine Cut-Up by Fra. Dischordant)
"the hallucinated have come to tell you that yr utilities are being shut off
dreams monitored, thought directed, sex is shutting down everywhere you
are being sent.
all word are taped. agents everywhere. marking down the live ones to
exterminate.
they are turning out the lights.
no they are not evil, nor the devil, but men on a mission with a spot of work
to do.
this, dear friends, they intend to do on you.
you have been offered a choice between liberty and freedom and No! you
can not have both.
the next step is everyone into space but it has been a long dull wait since the
last tower of babel, that first derisive visit of the paraclete.
let's not hear that noise again and again.
that may well be the last word anywhere.
this is not the beginning. in the beginning was the word, the word has been
in for a too long time, you in the word and the word in you
we are out
you are in
we have come to let you out
here and now we will show you what you can do
with and to
the word
the words
any word
all the words
Pick a book, any book, cut it up
cut up
prose
poems
newspapers
magazines
the bible
the koran
the book of moroni
la-tzu
confucius
the bhagavad gita
anything
letters
business correspondence
ads
all the words
slice down the middle, dice into sections
according to taste
chop in some bible, pour on some Madison Avenue prose
shuffle cards, toss like confette
taste it like piping hot alphabet soup
pass yr friends' letters, yr office carbons through any such sieve as you may
find or invent.
you will soon see just what they really are saying. this is the terminal
method for finding the truth.
piece together a masterpiece a week. use better materials more highly
charged words.
there is no longer a need to drum up a season of geniuses, be your own agent
until we deliver the machine in commercially reasonable quantities.
we wish to announce that while we esteem this to be truly the American
Way we have no commitments with any government groups
the writing machine is for everybody, do it yourself until the machine comes.
here is the system according to us.
(Brion Gysin's Minutes to Go)